Con la pata quebrada
What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)
- Είδος: Ντοκυμαντέρ
- Στούντιο: Enrique Cerezo, El Deseo
- Λέξη-κλειδί: cinema on cinema, movie business, franco regime (francoism), censorship, spanish transition, spanish second republic (1931-39), women and society, spanish cinema
- Εκμαγείο: Carlos Hipólito, Ángel de Andrés López, Imperio Argentina, Aurora Bautista, David Carpenter, Antoñita Colomé
